I drew this in Tasmania, our first port. It was mostly an excuse to mess with gray tones; I used two brush pens filled with different ratios of ink and water. (You know who does this really well? Ben Dewey and his Tragedy Series–Check it out!)
I drew this in Tasmania, our first port. It was mostly an excuse to mess with gray tones; I used two brush pens filled with different ratios of ink and water. (You know who does this really well? Ben Dewey and his Tragedy Series–Check it out!)
…unless it leads to drinking beer that is larger than you are. Not good, Shoulder Angel.
Before I penciled the latest Shoulder Angel story, I decided to work out what size she actually is, how she moves, etc. I got some of these poses from a book of turn-of-the-century cupid illustrations. (Man, Periscope has the greatest stuff! Thanks guys!)
The new story is a definite push for me in terms of the length (20 pages) and the drawing.
Look for the first pages this weekend!
Last Saturday, I set out to capture the beauty of southeast Portland with watercolor.
First I tried a new pen, and discovered that it’s not waterproof.
Then I tried to evoke the creepy way that orange floodlights were hitting some dying plants and power lines with a sunset in the background, but I was sitting under an orange light at the time, so the colors came out all weird.
Then I warmed up with a Mexican mocha and laughed at myself pretty hard.
I’m keeping that pen in mind for ink washes, though…or for zombie-pocalypse comics…
This has been a particularly colorful fall, but it seems that sunshine, spare time, and watercolor supplies rarely materialize all at once. I did a couple of views out my kitchen window, and a building near Barry Deutsch‘s studio in Southeast Portland, which has a weekly drawing group.
Coming soon: a tale of travel-stupidity, a recipe comic for delicious coacoa-beer-beef-chili, and the return of the Shoulder Angel!